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With support from a ŷ���ڱ���Ƶ Boulder Center for Humanities & the Arts grant, the Chicago-based ~Nois Saxophone Quartet returned to the College of Music as guest artists in our Faculty Tuesdays series and SoundWorks series. Says Composition Chair Carter Pann, “These guys increase the learning horizon tenfold.”

College of Music Jazz Studies Lecturer Matt Smiley has been awarded a MacDowell Fellowship enabling him to advance his compositional goals by exploring the intersection of jazz and contemporary classical music, and embracing improvisation and innovative composition techniques that challenge the boundaries of both genres.

The College of Music has had an alternatively-sized keyboard on loan since April 2023. Recent graduate Abigail Terrill shares how the narrower keyboard is helpful, why it’s needed and what her thesis research found about the process of transitioning between pianos.

“I find myself thinking about all our former quartet members—we wouldn’t be celebrating this milestone today except for them,” says first violinist Ed Dusinberre. Adds second violinist Harumi Rhodes, “It’s a monumental moment and we’re approaching it with a sense of awe. I feel humbled. Yet, in another sense, for us it’s business as usual.” And much of that business takes place right here in Boulder.

Last summer, the College of Music and Sphinx Performance Academy kicked off a new partnership to welcome talented string students—ages 11-17—to our campus for an intensive scholarship program emphasizing cultural diversity. This month, it’s déjâ vu as auditioned youths engage in lessons, master classes and more, culminating in public performances tonight and this weekend.

The College of Music’s 2024 New Opera Workshop (ŷ���ڱ���Ƶ NOW) is underway, leading up to performances of Gene Scheer’s “Polly Peachum”—as well as performances of opera scenes presented by our Composer Fellows’ Initiative—in June.

Uy will join the College of Music’s musicology faculty as an associate professor and assume leadership of the AMRC this fall, bringing to his new responsibilities a rich background in musicological research as well as a broadly-based perspective on academic administration.

As the first violinist of the renowned Lydian String Quartet in residence at Brandeis University, Segar previously served as a professor in the university’s Department of Music.

Retiring Professor of Harpsichord Robert Hill reflects on his career, the College of Music’s universal musician mission and the academic community as “a formalized laboratory for thought.”

In this edition of the Dean’s Downbeat, Dean John Davis doubles down on the College of Music’s commitment to championing diversity, equity and inclusion. “I’m convinced that by embracing DEI as integral to our universal musician mission, we not only achieve flexible, interdisciplinary career options for our graduates, but also expand the artistic landscape and cultivate a community of curious, continuous learners who challenge biases, question assumptions and engage with diverse perspectives—and who navigate nuance and complexity with openness, understanding and empathy.”