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Jesse Stommel compiles two decades of eyebrow-raising in Undoing the Grade: Why We Grade, and How to Stop

It was the summer of 2023, sometime in June or July, and Jesse Stommel (PhD, English ‘10) had big weekend plans.

He said to his husband, “I’m going to write a book this weekend”—a book about grades, in particular, and all the trouble they’ve caused.

It was a tall order for such a short period of time, no doubt, but it wasn’t as though Stommel were starting from scratch. He’d been taking a critical eye to grades for two decades and had published numerous essays on the topic, several of which had been read by tens of thousands of people on .  

Jesse Stommel (PhD, English ‘10)  partially in response to his realization that grades are performative.

“I was already starting to piece these things out in public and have conversations,” says Stommel, who teaches writing at the University of Denver. “That’s how my writing process always works. All of my books are adapted from previously published stuff. This is because I don't think in a vacuum. I need to think alongside other people.”

All Friday, Saturday and Sunday, Stommel toiled away, editing previously published materials, organizing those materials into chapters, writing three brand-new chapters and then bookending everything with a by and an by (MA, English ‘05).

“And come Sunday night,” he says, “I had a draft of the book.”

That book, titled , was published on Aug. 14.

I can give you A’s

Growing up, Stommel loved school. Grades, however—grades he didn’t love.

“I did really well throughout elementary school. I was super engaged,” he says. “Then I hit middle school, where I was being graded in the traditional way for the first time, and I got almost straight D’s and F’s in sixth grade.”

His grades improved the following year, but not by much. Being graded had sapped him of his motivation, he says. “All of a sudden I didn’t want to do any of the work.”

But things changed in eighth grade, thanks to his dad and brother.

“They bet me I couldn’t get straight A’s,” he says. “And so, the first semester of eighth grade, I got straight A’s.”

His teachers couldn’t believe it. They were flummoxed, and perhaps a little suspicious. How could he turn things around so quickly? What on earth was going on?

“They sat me down and asked me what had happened, and I told them about the bet,” says Stommel.

Yet that meeting opened his eyes more than it did his teachers’, he says, because it led him to the realization that grades were performative, character traits of a role he was being asked to play. “If what you want is A’s,” he recalls thinking, “I can give you A’s.”

This discovery, and the good grades that arose therefrom, freed Stommel up, he admits, relieving him of the pressure and judgment that often came with D’s and F’s. But it also made him aware of the stakes involved in the pursuit of high marks, stakes he continues to think about to this day. 

“Whenever I see a perfect grade point average, what that represents to me is a willingness to compromise yourself, because that's what we're constantly expected to do in traditional grading systems.” 

“Whenever I see a perfect grade point average, what that represents to me is a willingness to compromise yourself, because that's what we're constantly expected to do in traditional grading systems,” says Jesse Stommel. 

From grader to ungrading

Stommel began his teaching career as a grader, evaluating the work a professor had assigned to students.

“The experience of doing nothing but grading gave me an interesting perspective on what grading is and how it works,” he says. “It had nothing to do with the relationship between me and students. It was just this abstraction of their work and the quality of their work, as though that can be separated from who they are and who I am.”

Stommel wanted to do something different when he became an instructor of record. But what?

His first source of inspiration was ŷ���ڱ���Ƶ Boulder English Professor , who taught Stommel a total of four times, twice when Stommel was an undergraduate and twice when he was a graduate student.

“I really admired Marty’s approach. He didn’t put grades on individual work. Instead, he had students grading themselves and writing self-reflections.”

Stommel also found inspiration in ŷ���ڱ���Ƶ Boulder English Professor R L Widmann, with whom he co-taught courses on Shakespeare. Widmann encouraged Stommel to think of assessment not as a judgment laid down from on high but as a conversation between student and teacher.

“She would develop deep relationships with students and then be able to tell them exactly what they needed to hear at exactly the moment they needed to hear it. And they trusted her.”

Stommel combined Bickman’s and Widmann’s approaches in his own classes, along with what he learned about teaching and learning from books like John Holt’s and Paulo Freire’s . And thus ungrading, which Stommel defines as “raising an eyebrow at grades as a systemic practice,” was born.

But that’s not to say Stommel believes his ungrading practice is the only viable option. Not even close. In his essay a revised and expanded version of which appears in Undoing the Grade, he provides a smorgasbord of options for the ungrading-curious, including grading contracts, portfolios, peer assessment and student-made rubrics.

The goal of ungrading, he says, is not to replace one uniform approach to assessment with another. It’s for educators to develop an approach that best fits them and their students.

“The work of teaching, the work of reimagining assessment, is necessarily idiosyncratic.”

Myths and paradoxes

But in a world without grades, wouldn’t academic standards fall? Wouldn’t students lose motivation? Wouldn’t they be rewarded for learning less?

Questions like these, Stommel says, reflect the cultural anxiety surrounding grades. And while it’s important to remember that this anxiety is itself real—“It’s based in real feelings that we have as human beings,” says Stommel—it’s equally important to remember that the problems from which it stems may not be.

Take grade inflation, or the awarding of higher grades for the same quality of work over long periods of time, as an example. Like , author of , Stommel calls grade inflation a myth, but he also believes concern over it points to a real phenomenon: the desire for education to be taken seriously.

“We're seeing all kinds of pushes on the education sector,” he says. “People are saying that education isn't doing what it's supposed to be doing, or it’s actually doing harm.”

That many teachers’ jobs lack stability, especially in higher education, doesn’t help, Stommel adds.

“When you see the utter precarity of educators—where most educators are not making a living wage; where 70% of educators in higher education are adjunct or on one-year contracts, sometimes even on one-semester contracts. When you see all of that happening, there is a desire to have some relief. And I think that’s when we talk about something like grade inflation.”

Nevertheless, Stommel argues, the claim that lower grades means better teaching is a misleading one. High standards and high grades are not mutually exclusive.

Stommel cites a former student to prove it. “Jesse’s class was one of the hardest I’ve taken in my life,” this student wrote of one of Stommel’s classes. “It was an easy ‘A.’”

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